Education · Operations · Film

Make the work.
Make it matter.

Kamil Dobrowolski is a New York–based Director of Operations, educator, editor, colorist, and sound designer. His practice connects the craft of filmmaking with the systems and mentorship that help creative communities flourish.

Portrait of Kamil Dobrowolski wearing glasses
Director of Operations
& Instructor
School of Visual Arts · New York
Kamil Dobrowolski
A practice in motion

The bigger picture.

Kamil brings an editorial eye to every room: creating clear pathways for students, faculty, and collaborators while preserving the experimentation that makes a film program alive.

His creative credits span documentary, narrative, commercial, and independent film; his academic work supports artists from first idea through thesis, delivery, and professional presentation.

At SVA BFA Film

Building the conditions for ambitious work.

As Director of Operations and Instructor, Kamil supports the people and processes behind a working film program: production and post-production environments, student pathways, faculty collaboration, and the detailed logistics that turn creative intention into finished work.

Larry Flynt: The Right to be Left Alone poster
Film & media

Stories, cut with care.

From feature documentaries to independent narrative work and interactive campaigns, Kamil’s work moves across the image-making process—editing, sound, color, and the small decisions that shape how a story lands.

Festival circuit

Stories reaching international audiences.

Selected projects have screened at Berlin, Tribeca, Amsterdam, Durango, DocuWeek, Full Frame, Docfest, Ann Arbor, New York, Krakow, Melbourne, Film Columbia, Hong Kong, Munich, Sydney, Queens, and the International Documentary Film Festival.

Honors

Recognition for work made with care.

People’s Voice Award, Webby; and Best Short Film, Hoboken International Film Festival.

Teaching & mentorship

Teaching the whole filmmaker.

Kamil teaches and advises through a practical, collaborative lens—helping students build technical confidence, creative judgment, and the professional habits that carry a film from the edit room to an audience.

01

Editing & Post

Editorial structure, rhythm, media organization, and workflows across Final Cut Pro, Adobe Creative Cloud, Avid, and DaVinci Resolve.

02

Color & Sound

Image finishing, color decisions, sound design, mixing awareness, and the relationship between technical refinement and emotional storytelling.

03

Production Practice

Real-world production and post-production processes: preparation, collaboration, review, delivery, and effective use of professional tools.

04

Thesis Advising

One-to-one feedback and project mentorship from early concept through edit, finish, screening strategy, and professional presentation.

Academic leadership

Infrastructure is creative work.

Creative education depends on a durable foundation. Kamil’s operational work centers on the conditions behind great student work: coordinated spaces, clear production pathways, dependable post-production resources, and communication that respects both the work and the people doing it.

  • Program supportDay-to-day operations for a working BFA Film department.
  • FacilitiesEditing environments and post-production resources designed around student needs.
  • CollaborationConnecting faculty, staff, students, and creative partners around shared outcomes.
  • Career readinessSupporting the move from student work to a confident, professional practice.
Let’s talk

Education, operations, film—or what comes next.

For professional opportunities, collaborations, or conversations about creative education, please reach out directly.